Frances Goldin (1924-2020), Founder
Frances Goldin worked in publishing for over six decades, and founded the Frances Goldin Literary Agency in 1977. Reflecting her radical politics, the Agency has long concentrated on serious, controversial, progressive non-fiction and literary fiction that addresses issues of social justice and the impact of culture and politics on human relationships.
Among the writers she represented are Barbara Kingsolver, Mumia Abu-Jamal, Dorothy Allison, Frances Fox Piven, Martin Duberman, Adrienne Rich, Staceyann Chin, Martín Espada, Alix Dobkin, Juan Gonzales, Fred Jerome, Staughton Lynd, iconic feminists including Charlotte Bunch and Esther Newton, and Mike Wallace, co-author with Ted Burrows of the Pulitzer Prize-winning Gotham. All of her books embodied the philosophy that a better world is possible and it was her goal to get books published that would help speed that process.
Her lifelong commitment to social justice extended to her work with the Cooper Square Committee, an organization she co-founded in 1959 that advocates for tenant rights, community-based planning, and affordable housing.
Sam Stoloff, President and Senior Agent
Sam Stoloff joined the Agency in 1997, after completing an MFA in poetry and a doctoral dissertation in American cultural history, both at Cornell University. He is interested in books that advance the public conversation on crucial issues and groundbreaking work of all kinds, including literary fiction, memoir, history, accessible sociology and philosophy, cultural studies, serious journalism on contemporary and international affairs, and narrative and topical nonfiction with a progressive orientation. Among his particular interests are literary graphic fiction and nonfiction, works on environmental sustainability, books on legal affairs and the justice system, works that dissect the right wing and American imperialism, the history of race in America, the history of science and technology, and books on food culture and history. His taste in fiction ranges from the psychologically realistic, to first-rate speculative literature.
His clients include Susan Bordo, Monica Byrne, Mandy Catron, Pratap Chatterjee, David Cole, Cliff Conner, Dessa, Ray Douglas, Mark Edmundson, Shelley Fisher Fishkin, Bruce Grierson, Michael Hudson, Lynn Hunt, Margaret Jacob, Steven Jaffe, Barbara Kingsolver, Michelle Kuo, Anna Lappé, Daniel Medwed, Stephanie Mencimer, Rutu Modan, Alexandra Natapoff, Carla Peterson, Sam Polk, Janisse Ray, Gretchen Reynolds, Siva Vaidhyanathan, Mike Wallace, and Helene Wecker.
Ellen Geiger, Vice President and Senior Agent
Ellen has over three decades in publishing, film and television, and represents a broad range of fiction and non-fiction. She has a lifelong interest in multicultural and social issues embracing change. History, biography, progressive politics, psychology, women’s issues, religion and serious investigative journalism are special interests.
In fiction, she loves a good literary thriller, and novels in general that provoke and challenge the status quo, as well as historical and multicultural works. She is drawn to big themes which make a larger point about the culture and times we live in, such as Barbara Kingsolver’s Poisonwood Bible. She is not the right agent for New Age, romance, how-to or right-wing politics.
Her authors span most categories and have won many awards and prizes, including the National Book Award, National Jewish Book Award, Grawemeyer, Anthony and Malice Domestic. She also represents several important estates, including Margaret Wise Brown, author of Goodnight Moon, the poet Adrienne Rich and novelist Tillie Olsen.
Ellen served on the board of the Association of Author’s Representatives and is a past president of NY Women in Film and Television. In her previous incarnation in public television, she Executive Produced the Emmy-nominated “Legacy of the Hollywood Blacklist,” Katherine Patterson’s “Jacob Have I Loved” and the miniseries “Roots of Rhythm with Harry Belafonte, and was an Associate Producer of “The Life and Times of Rosie the Riveter.”
Matt McGowan, Vice President and Senior Agent
Matt is looking for emotionally, intellectually, and formally adventurous work of all kinds and is particularly interested in writers who believe nonfiction can be as artful as fiction. Queries for essays; literary fiction (strong but difficult characters, examinations of place, sub-cultures, and/or recent history or time periods); researched narrative nonfiction; journalism; politics; history; memoir; biography; cultural studies; popular culture & science; sports (particularly soccer); travel, crime, food, literary graphic work (especially NF), are all welcome.
Among Matt’s clients are Eula Biss, Stephanie Burt, John D’Agata, Brian Evenson, Brandon Harris, John Haskell, Paul Lisicky, Emily Maloney, Meghan O’Gieblyn, Lia Purpura, David Shields, and Rob Walker. Matt was featured in Poets & Writers‘ “Twenty-One Agents You Should Know” and his clients have won or been shortlisted for the PEN/Martha Albrand Award, Pen/Revson Award, PEN USA Award, the New York Public Library Young Lions Award, the O. Henry Award, the Graywolf Literary Nonfiction Award, the Pushcart Prize, the Rona Jaffe Award, the Edgar Award, the Orion Book award, the Triangle Award, the National Book Critics Circle Award, and have received NEA, Whiting, Guggenheim, and Lannan Foundation grants. They publish in major magazines like The New Yorker, Harpers, and the New York Times Magazine, direct MFA writing programs such as Brown University and the University of Iowa, and have appeared on The Colbert Report, Conan O’Brien, Bookworm, NPR, as well as covers of the New York Times Book Review and New York Times bestseller lists.
Caroline Eisenmann, Senior Agent
Caroline Eisenmann joined the agency in 2017. She previously spent four years at ICM Partners building a list in literary and upmarket fiction and nonfiction. In fiction, Caroline is particularly drawn to novels that engage with social issues, stories about obsession, and work that centers around intimacy and its discontents. Her nonfiction interests include deeply reported narratives (especially those that take the reader into the heart of a subculture), literary memoir, cultural criticism, essay collections, and history and biography with a surprising point of view.
Her clients include Kyle Chayka, Linda Rui Feng, Amanda Goldblatt, James Gregor, Theresa Levitt, Micah Nemerever, Jenny Odell, Peter Kispert, Kate Wagner, Michelle Webster-Hein, and Ye Chun. Authors represented by Caroline have won the Pushcart Prize, received a NEA Writing grant, and appeared on the shortlist for the National Book Award in fiction.
Ria Julien, Agent and Counsel
Ria Julien is an attorney who has worked in publishing since 1999. She joined the agency in 2013 after being called to the Bar in New York. Her interests include literature in translation, diaspora fiction, and nonfiction works of conscience on a wide range of topics including law, history, economics, women & gender, environmental and cultural studies. She represents authors whose works offer a critique of power and social injustice. Her clients include biographer Colin Asher, award-winning novelist Álvaro Enrigue, reporter Alexa O’Brien, muckraking journalist Greg Palast, and radical economist Richard Wolff. Having previously worked as an editor and foreign rights agent, she enjoys developing book projects, and finding an international readership for her authors.
Roz Foster, Agent
Roz Foster joined the Frances Goldin Literary Agency in 2019. Previously, she spent over six years as a literary agent with the Sandra Dijkstra Literary Agency.
Roz specializes in serious nonfiction in the areas of history, politics and current affairs. She’s also interested in technology, science, design and memoir. She’s passionate about books illuminating the roots of persistent national and international troubles that offer insight toward solution. She looks for accessible, driven storytelling from expert authors whose big, bold ideas shift us from one way of thinking to another. She’s also interested in adult literary and commercial fiction, including contemporary, historical and multicultural. She’d love to represent more upmarket historical fantasy and spec-fic/sci-fi on the literary side with a strong, feminist lean.
Select sales include Martha S. Jones’s Vanguard: A Political History of African American Women (Basic Books); Constance Sayers’s debut A Witch in Time (Redhook); Susan O’Donovan’s Becoming Citizens: The Political Lives of Slaves (Metropolitan); Daniel Russell’s The Joy of Search: A Google Insider’s Guide to Going Beyond the Basics (MIT Press); Claire Potter’s Political Junkies (Basic Books); and Blain Roberts and Ethan J. Kytle’s Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press).
Jade Wong-Baxter, Associate Agent
Jade Wong-Baxter joined the agency in 2021. She previously worked for three years at Massie & McQuilkin Literary Agents as a junior agent and foreign rights associate. A graduate of Vassar College, Jade got her start in publishing at Writers House, W. W. Norton, and Folio Literary Management. She is looking for adult literary/upmarket fiction and narrative nonfiction, with an emphasis on narratives by and about people of color, as well as the perspectives of marginalized identities. Her other areas of interest include magical realism, memoir, cultural criticism and Asian-American history.
Sulamita Garbuz, Associate Agent and Rights Director
Sulamita Garbuz joined the agency in 2021, after over four years at Trident Media Group. A graduate of Swarthmore College, she worked in the white collar crimes division of the US Attorney’s Office and for several labor unions before entering publishing. Sulamita gravitates primarily towards nonfiction, with an emphasis on books with a social justice bent. Her areas of specialty include narrative nonfiction, memoir, psychology, science, and journalism. She is also looking for character driven literary fiction, and is especially excited by novels that use speculative or dreamlike elements to explore current social dynamics, stories of obsession and women misbehaving, and narratives about immigration and the 2nd generation experience.